Washing your footage in more blue tones can help it feel somber, whereas a happier type of video might look best with warmer hues. If your film is a gritty crime drama, you might want to try hues of a cooler color temperature. Grading is a look.”Īfter you’ve corrected the color across your entire project, you’re ready to add some color effect. “If you have 60 shots and they’re all completely different, you want to go in and make sure that every one of them is completely balanced before you color grade,” says Dougan. Color correcting first to ensure you start with balanced, natural-looking colors before you color grade means you start on an even footing. ![]() This infuses your project with a visual tone and conveys the emotions you want the audience to feel. During this phase, you can apply an overall style to the coloring of your film. The next step after color correction is color grading. The idea there is you’re adding style.”Ĭolor grading gives your footage an edge. And then color grading is more of an after effect. ![]() The idea would be to make sure that there are equal reds, greens, and blues in your image. “What you want to do is bring tones to a neutral, balanced look. “Color correction is not about style, it’s more about color accuracy,” says filmmaker Colin Dougan. Correcting white balance helps all your colors be more true to life. If your camera or lighting situation made your whites appear blue in your footage, you would correct those areas to be closer to true white throughout all your clips during this phase. The goal of this technical process is also to match the colors between each of your video clips so they are unified.ĭuring color correction, you can tweak things like exposure, contrast, and white balance and ensure that important hues like skin tones are accurately represented. Color correction is the first step, and it involves fixing issues with the color of your footage so it matches how hues and tones appear in the world. While the terms color correction and color grading are sometimes used interchangeably, they represent two distinct phases in the video editing process. Some cinematographers even bring in specialists called colorists to handle these steps. Because of this, making color adjustments is a critical part of the post-production process in filmmaking. Raw video footage looks a bit off from the colors we see in the real world. Nowadays, the technique is now possible to be practiced by everyone as tech developers invent apps like VideoGrade for amateur and future video editors and filmmakers.No matter how good your lighting setup is when you shoot a video, your camera won’t be able to capture colors as accurately as the human eye does. Color grading can make or break your film so colorists tend to suit the right elements depending on the genre and style of the film. Color adds a huge drive for mood and tone and connects with your audience. Color correction or color grading in cinematic post-production process is very important for indie directors like Williams, this is because adding colors define your film. Indie film director Ryan Piers Williams stressed that color correction is an essential and a crucial part when making independent films. Today, you can already tell if a film is an independent one. ![]() Independent films today are now given the respect and recognition they deserve. The festival which held 140 film screenings that brought 150,000 New York attendees in 2002, now has grown to a collected international audience of more than 4 million attendees. Tribeca Film Fest caters all independent films locally and internationally. ![]() Did you know that the Tribeca Film Festival was founded by Hollywood actor Robert De Niro, Jane Rosenthal, and Craig Hatkoff in response to the 9/11 attacks in Manhattan? It was initially founded as a way to use film to bring together and heal a grieving city.
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